Inter Arma's music resists generalization and categorization, but if there’s one thing that’s consistently true, it’s that the VA quintet possesses an unparalleled sense of scope. Few artists today accurately convey the complexity that INTER ARMA (Latin for “in times of war”) does – the band creates terrible and often hauntingly beautiful portraits of humanity through music that is deeply organic yet still mystical and modern. INTER ARMA are just as committed to the live circuit as they are to their records: the band has performed extensively throughout Europe and the US, sharing the stage with the likes of Kylesa, Baroness, Cough, Royal Thunder, Black Tusk, Ulcerate, Russian Circles, Windhand, and dozens of others. INTER ARMA‘s raw, uninhibited approach merges doom metal, psychedelic sludge, black metal, prog and more, and over the course of the last ten years, has established the band as a uniquely innovative force in contemporary extreme metal.
Founded in Richmond in 2006, the versatile and genre-defying five-piece released their debut full-length Sundown via Forcefield Records in 2010, and like all great artists, had a well-defined sound right from the start. Sundown found INTER ARMA widespread critical acclaim, and, combined with the band’s relentless touring schedule and DIY grit, quickly helped INTER ARMA make a name for themselves in the underground. Following Sundown, the band released the 12″ EP Destroyer via Toxic Assets Records. That record was strong enough to catch the attention of Relapse Records, who signed INTER ARMA later in 2012, and in 2013, the band unleashed the monolithic Sky Burial, a doomy, hour-long excursion through unpredictable textures and timbres. Just two years later, the band followed Sky Burial with The Cavern, a 45+ minute, single-song EP. Originally written during the summer of 2009, then slowly reworked and perfected, The Cavern was recorded in 2013 during breaks from the band’s non-stop tours. Both The Cavern and Sky Burial were widely hailed as some of the best records of their respective years and garnered INTER ARMA accolades from the likes of Pitchfork, NPR, Rolling Stone, and many other publications worldwide.
Two years after The Cavern, INTER ARMA are poised to return with their heaviest and most multifaceted work to date. Paradise Gallows is more than an hour of lush, colorful melodies and textures blended with the heaviness of the earth’s impending death. Like the band’s previous works, the new album Paradise Gallows is direct and foreboding while maintaining a nuanced, artful perspective. INTER ARMA‘s signature palette of dissonant high-end and abyssal low-end has been augmented with swathes of thick, impressionistic melody that lend Paradise Gallows a truly biblical sense of scale, both lyrically and in terms of the album’s sonic content. Harsh and acoustic passages (including the band’s first-ever foray into clean vocals) spar with complex rhythmic structures across nine sweeping tracks of expansive, progressive heaviness. The album was again recorded with Mikey Allred (Yautja, Hivelords) at Dark Art Audio in Nashville, and features gorgeous cover art by Orion Landau. Dense, funereal, and richly evocative, Paradise Gallows is a rich blend of doom, post-metal, sludge, and black and death metal, and is a singular and powerful new addition to the band’s already monumental discography.
Their first album «Forever The End» was released in 2011 on Seventh Rule. 2012 releases were a split EP with Alaric on 20 buck spin and a full length album «Ritual Of Passing» on Profound Lore. In 2014 they signed with Relapse Records and released «An Unending Pathway». Their fourth album, coming in 2017 via Relapse Records promises to be even more bleak, hypnotic, and explosive. Atriarch delivers a unique brand of sonic darkness, pulling influences from classic death rock and infusing it with their own style of heaviness. They offer a cathartic experience, both on their records and their live performance.
Black/Death metal based out of San Francisco.
In a world where everything travelled at the speed of sludge, Brume were united by a love of the riff in San Francisco at the beginning of 2014. Jamie McCathie (guitar) moved to California, leaving his UK sludge band Gurt in London but knew as soon as he met Susie McMullan (vox/bass) they’d make music. Instantly bonding over bands like Sleep, Windhand and The Melvins the two got to writing. Arising from the fog came Jordan Perkins-Lewis (Drums), who's unique 'Mr Bungle'esque inspiration rounded out the songs, taking each idea and creating something beyond heavy. The trio headed into Sharkbite studios in Oakland (Sleep, High on Fire, Acid King) to create there first record at the end of 2014, combing fuzz soaked stoner metal, haunting ritualistic vocals and crushing slow and low doom.